Antica Terra Antikythera Pinot Noir 2017
Antikythera is made entirely from Antica Terra's own little, rocky vineyard in the northernmost part of the Eola-Amity Hills. The wine, like the site, is a bit of an anomaly — it tends to defy characterization. There is, in every vintage, an astonishingly extreme, high-pitched aroma of cinnamon-stick coupled with a non-fruit intensity and Barolo-like tannin that speak neither to the Willamette Valley nor in some ways, pinot noir. Intensely mineral, it bears, somehow, a seemingly synesthetic resemblance to the ground from which it was born.
Critical AcclaimAll Vintages
This is a selection of the estate-vineyard pinot noir that is planted on a solid sheet of parent rock. It has an air of restraint from the first impression of crushed roses and violets with some sappy, fresh and attractive leaves and succulent plant notes and plenty of finely fragrant spices, cocoa, blueberry and dried dark cherry. The palate has a very smooth-honed tannin texture with cherry-pip flavor and a very silky, polished mouth feel. The grain of tannin is super tight and lustrous. The core of this intense tannin creates a sensation of enlivened tension that sets this wine apart, not only in the Antica Terra family, but from the vast majority of wines per se. It is so expressive, within a focused spectrum of characters, and has such energy and presence. A striking expression of pinot noir. Try from 2024.
The site is dramatic. It’s exposed boulders, steeply pitched grades and panoramic views of the surrounding land convey a feeling of imposing scale and intensity. The west wind moves constantly through the vines and the unforgiving afternoon sun shines upon them. But it’s what we can’t see and feel, those aspects of the site that the vines allude to as they struggle, that make it a remarkable place.
Our oldest vines look like infants. Instead of the gnarled trunks and robust canes one expects from vines planted over two decades ago, ours are spindly and frail. The fruit is diminutive as well. The tiny clusters of thick-skinned berries are less than half the usual size and fit easily in the palm of the hand. The canopy, which struggles to reach the top catch-wire, is incredibly sensitive. The smallest changes in the environment can cause the leaves to turn yellow and fall.
In 2005 when Scott Adelson, John Mavredakis, and Michael Kramer, three friends on a search for land, visited Antica Terra. Over the years, they had collaborated on countless projects but had always dreamed of starting a vineyard together. This was not the first time they had visited a piece of land with this dream in mind, but something was different this time. It’s hard to say if it was the subtle breeze from the ocean, the majestic stands of oak, or the fossilized oysters hiding among the boulders, but they knew immediately that this was the property they had been looking for.
The next chapter of our story begins in the midst of a nervous breakdown, after a bout with Malaria, on a small island off the coast of Kenya. It is in this moment, facing the piercing questions of her traveling companion that Maggie Harrison reaches into her heart and the epiphany comes. She states simply “I want to learn how to make wine”. Usually, such statements, impetuously thrown about in our youth, have little bearing on what happens next, but not this time.
The simple declaration, and her own tenacity, sends Maggie directly to Ventura County, where she apprentices for eight wonderful and life-changing harvests with Elaine and Manfred Krankl at Sine Qua Non. In 2004 Maggie made plans to strike out on her own and started a small Syrah project called Lillian. These plans also included settling down in Santa Barbara, a place she never intended to leave. Nonetheless, as is usually the case, most plans are in fact, just inaccurate predictions.
When Scott, John and Michael asked her to become the winemaker at Antica Terra she emphatically refused. But the three friends are crafty. They asked Maggie if she would simply take a look at the vineyard and offer her opinion about the qualities of the site. She reluctantly agreed. Twenty six seconds after arriving among the oaks, fossils, and stunted vines she found herself hunched beneath one of the trees, phone in hand, explaining to her husband that they would be moving to Oregon.
Running north to south, adjacent to the Willamette River, the Eola-Amity Hills AVA has shallow and well-drained soils created from ancient lava flows (called Jory), marine sediments, rocks and alluvial deposits. These soils force vine roots to dig deep, producing small grapes with great concentration.
Like in the McMinnville sub-AVA, cold Pacific air streams in via the Van Duzer Corridor and assists the maintenance of higher acidity in its grapes. This great concentration, combined with marked acidity, give the Eola-Amity Hills wines—namely Pinot noir—their distinct character. While the region covers 40,000 acres, no more than 1,400 acres are covered in vine.
Thin-skinned, finicky and temperamental, Pinot Noir is also one of the most rewarding grapes to grow and remains a labor of love for some of the greatest vignerons in Burgundy. Fairly adaptable but highly reflective of the environment in which it is grown, Pinot Noir prefers a cool climate and requires low yields to achieve high quality. Outside of France, outstanding examples come from in Oregon, California and throughout specific locations in wine-producing world. Somm Secret—André Tchelistcheff, California’s most influential post-Prohibition winemaker decidedly stayed away from the grape, claiming “God made Cabernet. The Devil made Pinot Noir.”